Call for Proposals

Hinterculture and Craftswoman House are pleased to invite proposals for a project marking the centennial of the Llano Del Rio colony on Saturday, May 3, 2014. We seek proposals from all disciplines and encourage collaborative and interdisciplinary approaches. The Llano site offers unique possibilities for site-specificity within the physical landscape and proposals should consider the opportunities and constraints of working within a desert environment.

Individuals are encouraged to visit the Llano site (located at approximately 165th Street East along Highway 138 otherwise known as Pearblossom Highway) and preview a podcast that features historical information, sound art, and interviews about the Llano community https://soundcloud.com/temporaryresidence/the-next-step-a-journey-to (full podcast playlist here.)

Please submit a one-page proposal that details your project, participants and any logistical requirements, current CV and link to a website or examples of previous work, to proposals@hinterculture.com

Deadline: January 31, 2014

The Next Step Podcast

The Next Step podcast features features historical information, sound art, and interviews about the Llano community link here: https://soundcloud.com/temporaryresidence/the-next-step-a-journey-to

The podcast features contributions from: Rachel Finkelstein, Sara Fowler, Jennifer from JCPenney, Norman Klein, Elizabeth Leister, Karyl Newman, Larissa Nickel, Carl Peecher, Linda Ravenswood, Chelsea Rector, Cindy Rehm, Milt Stark, and Christine Suarez

Special thanks to Mady Schutzman for contributing out takes from her film Dear Comrade, and to Chelsea Rector for editing the recording.


Podcast Playlist:

Karyl Newman

Antelope Valley Subdivision Names, Silo Site Recording, August, 2013

Cindy Rehm

Craftswoman House Introduction

Jennifer from JCPenny & Larissa Nickle

Hinterculture Introduction

Chelsea Rector

Untitled Song

Cindy Rehm

About the Hinterculture/Temporary Residence collaboration

Jennifer from JCPenny & Larissa Nickle

Excepts from Impressions of Llano del Rio, The Western Comrade, James R. Nickum

Christine Suarez

Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded

May 28, 1989, LA Times, Sebastian Rotella

Karyl Newman

About Llano

Milt Stark

Tour of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Carl Peecher

Reflections on Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Karyl Newman

About Llano

Christine Suarez

Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded

May 28, 1989, LA Times, Sebastian Rotella

Milt Stark

Reflections on Job Harriman (outtake interview from Mady Schutzman’s Dear Comrade)

Norman Klein

California as a Laboratory for Socialism in the 1900s (outtake interview from Mady Schutzman’s Dear Comrade)

Cindy Rehm

Excerpts from: The Peacemaker, part III of Feminism and the Trend Towards Democracy, The Western Comrade, February, 1914, Eleanor Wentworth

Norman Klein

California as a Laboratory for Socialism in the 1900s (outtake interview from Mady Schutzman’s Dear Comrade)

Milt Stark

History of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Elizabeth Leister

Excerpts from: Silence of Desert Reigns in Capital of Communists, The Evening Independent, October 12, 1925.

Norman Klein

California as a Laboratory for Socialism in the 1900s (outtake interview from Mady Schutzman’s Dear Comrade)

Christine Suarez

Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded

May 28, 1989, LA Times, Sebastian Rotella

Carl Peecher

Reflections on Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Christine Suarez

Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded

May 28, 1989, LA Times, Sebastian Rotella

Milt Stark

Reflections on Job Harriman (outtake interview from Mady Schutzman’s Dear Comrade)

Norman Klein

California as a Laboratory for Socialism in the 1900s (outtake interview from Mady Schutzman’s Dear Comrade)

Elizabeth Leister

Excerpts from: Silence of Desert Reigns in Capital of Communists, The Evening Independent, October 12, 1925.

Milt Stark

Tour of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Karyl Newman

About Llano

Christine Suarez

Excerpts from, Another Look at Llano, SCA Proceedings, Volume 23, 2009, John M. Foster, California Department of Transportation & Alex Kirkish, Greenwood Associates

Karyl Newman

About Llano

Christine Suarez

Excerpts from, Another Look at Llano, SCA Proceedings, Volume 23, 2009, John M. Foster, California Department of Transportation & Alex Kirkish, Greenwood Associates

Milt Stark

Tour of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Elizabeth Leister

Excerpts from: Silence of Desert Reigns in Capital of Communists, The Evening Independent, October 12, 1925

Christine Suarez

Excerpts from, Another Look at Llano, SCA Proceedings, Volume 23, 2009, John M. Foster, California Department of Transportation & Alex Kirkish, Greenwood Associates

Karyl Newman

Excepts from: The Next Step; How to Plan for Beauty, Comfort, and Peace with Great Savings Effected by the Reduction of Waste 1935, Alice Constance Austin

Rachel Finkelstein

Excerpts from Two Utopian Feminists and Their Campaign for Kitchenless Houses, Signs, 1978, Dolores Hayden (read by Sacha Finn)

Karyl Newman

Carrot

Elizabeth Leister

Excerpts from: Silence of Desert Reigns in Capital of Communists, The Evening Independent, October 12, 1925

Milt Stark

Tour of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Elizabeth Leister

Excerpts from: Silence of Desert Reigns in Capital of Communists, The Evening Independent, October 12, 1925

Milt Stark

Tour of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Linda Ravenswood

Llano Essay

Christine Suarez

Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded

May 28, 1989, LA Times, Sebastian Rotella

Milt Stark

Tour of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Sara Fowler

Dehydration Account

Linda Ravenswood

Everything I ever loved is dead

Karyl Newman

About Llano

Christine Suarez

Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded

May 28, 1989, LA Times, Sebastian Rotella

Norman Klein

California as a Laboratory for Socialism in the 1900s (outtake interview from Mady Schutzman’s Dear Comrade)

Christine Suarez

Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded

May 28, 1989, LA Times, Sebastian Rotella

Jennifer from JC Penny

Silo Recording, field test and recording conducted by formulating infrasonic catalytic-cycles for habitat elucidation. (September 4, 2013 - 7:30am)

Dream Kiss performed by Ferera and Franchini with Nathan Glantz; recorded 1920

Karyl Newman

Interview with architect Julia Wieger and Mady Schutzman

Cindy Rehm

To the Woman in the Dark, The Western Comrade, July 1914 Eleanor Wentworth

Jennifer from JC Penny

“It was not only flowers she had on her mind” Graffiti text on the Llano site ruins. Includes Llano Field Recordings obtained by Jennifer from JCPenney (June 3, 2089 - 11:10pm and June 3, 2114 - 2:11pm)

VOLLEY

                                                                                            image by Hinterculture

VOLLEY

Four weeks of artist talks, screenings, and performances

...and some ping-pong in between

Screening of Mady Schutzman's Dear Comrade

with research on Llano Del Rio presented 

by Craftswoman House & Hinterculture

Thursday, November 7, 7pm
Greene Gallery
2654 La Cienega Ave, 
Los Angeles, California 90034

Written and directed by CalArts faculty member Mady Schutzman, Dear Comrade is an experimental essay film that documents the story of Llano del Rio (1914-18), the most important non-religious communitarian experiment in western American history. Llano is offered as a site to explore the struggles, courage, frustrations, fantasies, and Sisyphean efforts of innumerable idealists who have assumed comparable struggles in spite of tremendous odds. The story is told through archival footage, surreal re-enactments, interviews with ex-colonists, local residents and historians, and the meanderings of a silent nomad through the ruins of the Llano colony in the Mojave Desert. Through the intersection of stories, a seemingly traditional documentary morphs into a montage of parallel universes, political commentary, clownery, and a palpable desire—failings and disappointments notwithstanding—to give idealism and cooperation another try. Karyl Newman and Cindy Rehm will present their research on the colony and join the filmmaker in a question and answer segment following the screening. 

Haunted

Mary Anna Pomonis, 1001 Ave 37, #1, Acrylic Airbrush on Paper, 2013

Haunted

October 5-25

Opening reception:
Saturday October 5, 6-9pm

Cultural Alliance of Long Beach

Bungalow Art Center

727 Pine Avenue. Long Beach, 90813
Bungalow Art Center hours of operation:

Tuesday - Friday :: 4 - 9 pm

Saturday and Sunday :: noon - 5pm

For the month of October, Craftswoman House Temporary Residence partners with Long Beach Riot Grrrl to present an exhibition and series of events at the Cultural Alliance of Long Beach. The exhibition Haunted will open on Saturday, October 5, from 6-9pm. The opening event will include a series of performance works and a video screening. The show closes on Friday, October 25 with a LB Riot Grrrl Show from 6pm-Midnight.

Throughout history, creative works by women have often been devalued, dismissed, and even buried. While women’s contributions to art and culture have been more visible in recent years, blind spots still exist. Feminist art of the 1970s serves as a profound antecedent to contemporary art, but rich bodies of feminist work are barely acknowledged in discussions on current art practices including relational aesthetics and the prevalent use of informal and domestic materials. The artists in Haunted explore the hollows of history, to wake ghosts and channel hidden voices. These artists express a fluid exchange between the body and memory through a focus on tactile experience, manifestations of the repressed female body, and an emphasis on process as a means to capture the immaterial.

Annelie McKenzie, Design Lady (after Angelica Kauffman), oil and stickers 2013

Annelie McKenzie’s paintings reflect relationships between the female artist as subject against the art historical reference of woman as merely model or object in a work of art. She depicts pairs of women to explore the relationships between women and to insert herself into a dialogue with female artists and subjects of the past. Her highly textured surfaces spill onto decorative frames revealing a sentimental tie to the marginalized history women’s crafts and handiwork.

The Aura of Things, Mary Anna Pomonis’ new series of paintings, captures the residue of cast-off objects collected from neighborhood garage sales. Inspired by Man Ray’s ray-o-graphs, Pomonis uses the low-grade photographic technique of airbrush to render ethereal impressions left by the displaced objects. The found objects are destroyed through the painting process and are transformed into illusive, glowing images of what has been lost.

Evah Hart’s works are experiments rooted in an approach that oscillates between staged spontaneity and material obstruction. She uses various visual techniques to explore her fascination with the nature of time. Her process-based work generates random marks that reflect the cycles, history and complications of time.

Cindy Rehm, Diary of a Young Medium, (detail) collage, 2013

Mundane materials are transformed into mysterious objects, through Tina Linville’s use of basic human compulsions like collecting, arranging, and wrapping. Her dense and precarious  “Frankenstein” objects are built through a process of intimate and obsessive manipulation of salvaged objects that contain private histories. Her hybrid works blur distinctions between painting and sculpture through thoroughly layered, tactile surfaces.

Cindy Rehm’s work is inspired by Symbolist art, the sentiments of surrealism, and the legacy of women’s art and writing. She explores hysteria as a means for sexual and spiritual liberation through the unmediated expression and performative potential of the trance state. Through reflections on female madness, Rehm aims to unearth narratives that have been suppressed throughout history.

Evah Hart, Infinity Color, etching

Ali Kheradyar

The opening event will also feature a series of performance works and a video screening. Semi-Tropic Spiritualists will present, Test Site No. 4, part of an ongoing series of performance works and objects that explore the history of spiritual and occult belief in Los Angeles. Through the use of spirit bells, Semi-Tropic Spiritualists will pose questions and seek answers through an activation of unconscious voices. The performance will develop a space dedicated to investigation and a search for knowledge, and will explore ideas of faith and skepticism. Chelsea Rector will make sound blankets of love and haunted mansions and black widows and owls, through her eerie blend of vocals and synth tones. Ali Kheradyar will perform Untitled, a work about pleasure, play, and memory.

The accompanying screening features video works by: Ursula Brookbank, Min Choi, Anne Colvin, Micol Hebron, Nina Lassila, Elizabeth Leister, Shana Robbins and Alberto Roman, Simone Stoll, Tracy Abbott Szatan and Marisa Williamson.

 Chelsea Rector

Semi-Tropic Spiritualists

 Nina Lassila, Piiskaa! video still, 2005

Haunted closes on Friday, October 25 with a LBRG Show from 6-Midnight with live music by GAZE, Spare parts for broken hearts, Potential Lunatics, Ingenue, Iris and Strange Radio. During the month of October, an extensive calendar of events will be presented in conjunction with the Haunted exhibit including:

Monday, October 7

6-8:30pm

LB Riot Grrrl & Food Not Bombs political prisoners letter writing (room 3)

Wednesday, October 9

4-7:30pm & 7:30-9pm

DIY Wednesday, Riotous Herbs workshop (early session room 2, later room 3)

Friday, October 11

8-10pm

Screening of !Women Art Revolution 
Followed by a discussion lead by Annelie McKenzie (room 2)

Wednesday, October 16

4-9pm

DIY Wednesday Clothing/costume swap and costume making (room 3)

Sunday, October 20

Doors at 5pm

$10

Debut screening of Riot Grrrl: self told narrative (room 2)

and a special screening of the forthcoming documentary GRRRL

with: Lucid Nation, Bonfire Madigan, Gina Young, Potential Lunatics

This event will be videoed for GRRRL, a documentary film directed by Vega Darling and Angie Young (riotgrrrlfilm,com). If you have a riot grrrl story to tell email riotgrrrlfilm@gmail.com to schedule a short interview.

Wednesday, October 23

4-9pm, Discussion starts at 6:30pm

DIY Wednesday, Circle Discussion, All Ages: An Intergenerational Dialogue on Feminism (room 3)

Friday, October 25

6pm-midnight

Haunted closes with LB Riot Grrrl show featuring: GAZE, Spare parts for broken hearts, Potential Lunatics, Ingenue, Iris and Strange Radio

Craftswoman House Temporary Residence is a project dedicated to fostering a dialogue on feminist issues through projects and exhibitions. Inspired by collective efforts such as Womanhouse, the project pays homage to the rich legacy of feminist art in Southern California. Temporary Residence partners with artists and organizations to present innovative site-specific works in found domestic and public spaces in and around Los Angeles. 

In a world where womyn are still being underrepresented, misrepresented, and where the impact of systemic patriarchy is still being ignored, LB Riot Grrrl provides a safe space and open forum for Long Beach feminists to come together to work towards growth and change.

We recognize womyn through the way we rock and the work that we do …we are womyn and we co-create the revolution!

For more information about LB Riot Grrrl: https://www.facebook.com/LbRiotGrrrl

Tina Linville, What Brought Me Here, detail, 2011