Sunday, April 20, 2014

Squaring the Circle: Llano del Rio Centennial



30 ARTISTS, A ONE-DAY EVENT AT THE 
SITE OF THE FORMER LLANO DEL RIO COLONY  
IN HONOR OF ITS CENTENNIAL.

Craftswoman House and Hinterculture present Squaring the Circle: Llano del Rio Centennial an interdisciplinary arts event on Saturday, May 3rd, 2014 from 1 pm to 6pm with site specific installations and performances on view to mark the 100th anniversary of the founding of the Llano del Rio Cooperative Colony, a utopian socialist community established in 1914 by Job Harriman in Southern California’s Antelope Valley. The event participants who reflect diversity in their work as historians, visual artists, filmmakers, writers, choreographers, dancers, musicians, activists, and transdisciplinary practitioners responding to questions that Llano inspires. How does site-specific place, and the historical archive relate to artists and their contemporary expression? How has the categorization of Feminism, Socialism, Utopia and Collaboration shaped artists' practices? Can we square the circle and propose evolution into an alternative future?

Squaring the Circle begins at 1pm and will run through 6pm, with performances planned throughout the day. Visitors will be able to navigate the space viewing and interacting with performances and installations, learning about the history of the colony, and experiencing the surrounding terrain.

Preview pieces of Judy Branfman’s The Land of Orange Groves and Jails, documenting her reluctant great-aunt Yetta’s tale of 1920s Los Angeles’ free speech and labor battles - and providing a backdrop to the political sphere and tensions of the early 1900s. Visitors can contribute to this documentary film-in-progress on May 3rd, by responding to the prompt: “Have you ever stood up for something you believe in?   

“Has your town ever done anything for you?” Jessica Cowley and Lyra Kilston will install signage that commemorates Llano del Rio and its place as a historical landmark, connecting the political and economic concerns of Llano’s residents to our present day.

Paul Greenstein & Dydia DeLyser engage the history of the colony through the integration of installation art, historical exhibit and documentary photography in a period-appropriate interpretative tent.

Inspired by Dolores Hayden’s essay Two Utopian Feminists and their Campaigns for Kitchenless Houses, Rachel Finkelstein will perform the drudgery of domestic labor and ask us to consider, “why are women still doing the dishes?”

To explore the fate of the energy exerted in following one’s vision, Kate Hoffman will create every rejected project proposal she has submitted since moving to LA five years ago within a constructed space that mimics Alice Constance Austin's planned layout for Llano.

Open a drawer from the cab in net space in this experimental sound and video performance that bridges time and space to another dimension with the layered sights and sounds of Jennifer from JC Penney featuring Moxy Fofo.

The LA Art Girls’ Make Camp is an instant city considering Alice Constance Austin’s designs for kitchenless homes and communal kitchens within the desert environment through food preparation workshops, a cement circular gathering space and a net-like form crocheted from cast-off electric cables and cords.

Elizabeth Leister will present a performance through looping motions that repeat without progress. Her Sisyphus-like act suggests the failure of the Llano project and more generally the absurdity of life.


Opera del Espacio will create real-time, architecturally inspired movement-based performances, interacting with the ruins as well as concurrent events.

Minna Philips will install a project that allows for individual experience within a communal space, through the creation of "windows" that will assist in fragmenting the landscape to resist wholeness.

Linda Ravenswood will engage the audience to become a chain of solidarity through presence and vocalization, as she undertakes the overwhelming task of digging a hole with kitchen implements such as spoons and ladles.

Michelle Rozic’s cyanotypes of litter and ocean flora printed on fabric and wrapped around rocks will create a mirage in the existing washes of the site, highlighting the scarcity of water in Southern California alongside the water issues which displaced the colonists to New Llano Louisiana in 1918.

Dear Comrade, Mady Schutzman’s experimental essay film documents the story of Llano del Rio, as told through archival footage, surreal re-enactments, interviews with ex-colonists, local residents and historians, and the meanderings of a silent nomad through the ruins of the Llano colony in the Mojave Desert.

Inspired by the remote, desert landscape surrounding Llano del Rio and the historical significance of open land as a place for experimental societies to flourish, Semi-Tropic Spiritualist will create an outpost in unoccupied territory. The installation will feature ritual objects, including orientation and divination tools, as well as the introduction of the Semi-Tropic Spiritualist Tract.

Stacey Spiegel presents a star tetrahedron of 18 mirrors inspired by Austin’s city plans the piece explores how different open spaces can exist simultaneously.

SuarezDanceTheatre premieres Mother.Work a performance where the idealism and realities of the Llano colony becomes the lens to examine economics of 21st century motherhood and family life where boldness, sparseness, shedding, rejecting, entanglements, failure and freedom congregate in the wind of the sparse landscape and its decayed ransacked stone buildings.

Leora Wien reimagines a May Day ceremony, integrating pagan rites of renewal and fertility, Llano del Rio's own International Workers Day maypole, and contemporary feminist punk protest songs.

Find our Facebook invite here.

Link to an expedition map here.

A podcast that features historical information, sound art, narrative works, and interviews about Llano del Rio is available for download at:https://soundcloud.com/temporaryresidence/the-next-step-a-journey-to


Thank you to the shareholders that make Squaring the Circle possible!

Karen Adelman, Stephanie Allespach, Anonymous, Lani Asuncion, Carrie Bryden, Karen Carrie, York Chang, Chris Coffey, Andrea Collins, Sydney Croskery, Drake Cunningham, Carmela Herman Dietrich, Cassandra Douglas, Chris Duffy, Christine Emmert, Kristi Engle, Rachel Finkelstein, Gregg Fleishman, Jennie Fleming, Sara Fowler, Alexandra Grant, Robby Herbst, Janet Jeffers, Tim Kirk, Wendy Koenig, Elizabeth Leister, Astrid Reed Leonard, Meg Madison, Rheagan Martin, Siofra McSherry, Robert Nashak, Heather O'Brien, Lou Pepe, Carrie Paterson, Christine Peterson, Davelene Pollock, Mary Anna Pomonis, Melissa Potter, David Prince, , Kristin Rey, Warren Scherich, Bill Sebring, Astri Swendsrud, Christine Suarez, Paige Tighe, Julie Vogel, Nick West, Sarah Williams, Marisa Williamson, Allison Wyper, Liz Young

Tuesday, March 18, 2014

Squaring the Circle




Last September Craftswoman House organized an exploratory trip to the ruins of Llano del Rio in preparation for a project with Hinterculture to mark the 100th anniversary of the founding of the colony. Now, we are excited to announce details about Squaring the Circle, the centennial event scheduled for May 3, 2014. The event will feature over thirty participants who work as historians, visual artists, filmmakers, writers, choreographers, dancers, musicians, activists, and interdisciplinary practitioners.

We face distinct challenges working in a remote desert environment and have launched a campaign to raise funds to cover costs associated with the production and documentation of the event. To learn more about the project and view our video, check out our Squaring the Circle page here

Please become a shareholder in the Squaring the Circle community. Choose your level of support and help us build a new collective vision of Llano del Rio!




Squaring the Circle: Llano del Rio Centennial
Saturday May 3, 2014 1pm to dusk

Temporary installations by Jessica Cowley & Lyra KiltsonMichelle RozicKaryl Newman, Larissa NickelMinna Phillips, and Stacey Spiegel

Performances by LA Art GirlsOlivia de HaullevilleRachel FinkelsteinKate Hoffman, Jennifer from JC PenneyElizabeth LeisterOpera del EspacioLinda RavenswoodSemi-Tropic SpiritualistsLeora Wien, and SuarezDanceTheater

Film screenings by Judy Branfman and Mady Schutzman

And historical walking tours lead by Dr. Dydia DeLyser and Paul Greenstein co-author of the book Bread and Hyacinths: The Rise and Fall of Utopian Los Angeles.

SEE YOU IN LLANO!

Friday, March 14, 2014


Craftswoman House and Hinterculture announce details for Squaring the Circle: Llano del Rio Centennial. Please check out our Indiegogo campaign and consider becoming a shareholder.




Friday, November 8, 2013

Call for Proposals


Hinterculture and Craftswoman House are pleased to invite proposals for a project marking the centennial of the Llano Del Rio colony on Saturday, May 3, 2014. We seek proposals from all disciplines and encourage collaborative and interdisciplinary approaches. The Llano site offers unique possibilities for site-specificity within the physical landscape and proposals should consider the opportunities and constraints of working within a desert environment.

Individuals are encouraged to visit the Llano site (located at approximately 165th Street East along Highway 138 otherwise known as Pearblossom Highway) and preview a podcast that features historical information, sound art, and interviews about the Llano community https://soundcloud.com/temporaryresidence/the-next-step-a-journey-to (full podcast playlist here.)

Please submit a one-page proposal that details your project, participants and any logistical requirements, current CV and link to a website or examples of previous work, to proposals@hinterculture.com

Deadline: January 31, 2014


Thursday, November 7, 2013

The Next Step Podcast

The Next Step podcast features features historical information, sound art, and interviews about the Llano community link here: https://soundcloud.com/temporaryresidence/the-next-step-a-journey-to

The podcast features contributions from: Rachel Finkelstein, Sara Fowler, Jennifer from JCPenney, Norman Klein, Elizabeth Leister, Karyl Newman, Larissa Nickel, Carl Peecher, Linda Ravenswood, Chelsea Rector, Cindy Rehm, Milt Stark, and Christine Suarez


Special thanks to Mady Schutzman for contributing out takes from her film Dear Comradeand to Chelsea Rector for editing the recording.



Podcast Playlist:

Karyl Newman
Antelope Valley Subdivision Names, Silo Site Recording, August, 2013

Cindy Rehm
Craftswoman House Introduction

Jennifer from JCPenny & Larissa Nickle
Hinterculture Introduction

Chelsea Rector
Untitled Song

Cindy Rehm
About the Hinterculture/Temporary Residence collaboration

Jennifer from JCPenny & Larissa Nickle
Excepts from Impressions of Llano del Rio, The Western Comrade, James R. Nickum

Christine Suarez
Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded
May 28, 1989, LA Times, Sebastian Rotella

Karyl Newman
About Llano

Milt Stark
Tour of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Carl Peecher
Reflections on Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Karyl Newman
About Llano

Christine Suarez
Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded
May 28, 1989, LA Times, Sebastian Rotella

Milt Stark
Reflections on Job Harriman (outtake interview from Mady Schutzman’s Dear Comrade)

Norman Klein
California as a Laboratory for Socialism in the 1900s (outtake interview from Mady Schutzman’s Dear Comrade)

Cindy Rehm
Excerpts from: The Peacemaker, part III of Feminism and the Trend Towards Democracy, The Western Comrade, February, 1914, Eleanor Wentworth

Norman Klein
California as a Laboratory for Socialism in the 1900s (outtake interview from Mady Schutzman’s Dear Comrade)

Milt Stark
History of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Elizabeth Leister
Excerpts from: Silence of Desert Reigns in Capital of Communists, The Evening Independent, October 12, 1925.

Norman Klein
California as a Laboratory for Socialism in the 1900s (outtake interview from Mady Schutzman’s Dear Comrade)

Christine Suarez
Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded
May 28, 1989, LA Times, Sebastian Rotella

Carl Peecher
Reflections on Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Christine Suarez
Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded
May 28, 1989, LA Times, Sebastian Rotella

Milt Stark
Reflections on Job Harriman (outtake interview from Mady Schutzman’s Dear Comrade)

Norman Klein
California as a Laboratory for Socialism in the 1900s (outtake interview from Mady Schutzman’s Dear Comrade)

Elizabeth Leister
Excerpts from: Silence of Desert Reigns in Capital of Communists, The Evening Independent, October 12, 1925.

Milt Stark
Tour of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Karyl Newman
About Llano

Christine Suarez
Excerpts from, Another Look at Llano, SCA Proceedings, Volume 23, 2009, John M. Foster, California Department of Transportation & Alex Kirkish, Greenwood Associates

Karyl Newman
About Llano

Christine Suarez
Excerpts from, Another Look at Llano, SCA Proceedings, Volume 23, 2009, John M. Foster, California Department of Transportation & Alex Kirkish, Greenwood Associates

Milt Stark
Tour of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Elizabeth Leister
Excerpts from: Silence of Desert Reigns in Capital of Communists, The Evening Independent, October 12, 1925

Christine Suarez
Excerpts from, Another Look at Llano, SCA Proceedings, Volume 23, 2009, John M. Foster, California Department of Transportation & Alex Kirkish, Greenwood Associates

Karyl Newman
Excepts from: The Next Step; How to Plan for Beauty, Comfort, and Peace with Great Savings Effected by the Reduction of Waste 1935, Alice Constance Austin

Rachel Finkelstein
Excerpts from Two Utopian Feminists and Their Campaign for Kitchenless Houses, Signs, 1978, Dolores Hayden (read by Sacha Finn)

Karyl Newman
Carrot

Elizabeth Leister
Excerpts from: Silence of Desert Reigns in Capital of Communists, The Evening Independent, October 12, 1925

Milt Stark
Tour of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Elizabeth Leister
Excerpts from: Silence of Desert Reigns in Capital of Communists, The Evening Independent, October 12, 1925

Milt Stark
Tour of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Linda Ravenswood
Llano Essay

Christine Suarez
Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded
May 28, 1989, LA Times, Sebastian Rotella

Milt Stark
Tour of Llano (outtake interview from Mady Schutzman’s Dear Comrade)

Sara Fowler
Dehydration Account

Linda Ravenswood
Everything I ever loved is dead

Karyl Newman
About Llano

Christine Suarez
Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded
May 28, 1989, LA Times, Sebastian Rotella

Norman Klein
California as a Laboratory for Socialism in the 1900s (outtake interview from Mady Schutzman’s Dear Comrade)

Christine Suarez
Excerpts from: LLano Del Rio Cooperative Colony l914-l918: Remains of Utopia: How a Renowned Socialist Commune Bloomed and Faded
May 28, 1989, LA Times, Sebastian Rotella

Jennifer from JC Penny
Silo Recording, field test and recording conducted by formulating infrasonic catalytic-cycles for habitat elucidation. (September 4, 2013 - 7:30am)
Dream Kiss performed by Ferera and Franchini with Nathan Glantz; recorded 1920

Karyl Newman
Interview with architect Julia Wieger and Mady Schutzman

Cindy Rehm
To the Woman in the Dark, The Western Comrade, July 1914 Eleanor Wentworth

Jennifer from JC Penny
“It was not only flowers she had on her mind” Graffiti text on the Llano site ruins. Includes Llano Field Recordings obtained by Jennifer from JCPenney (June 3, 2089 - 11:10pm and June 3, 2114 - 2:11pm)


Friday, November 1, 2013

VOLLEY

                                                                                            image by Hinterculture
Four weeks of artist talks, screenings, and performances
...and some ping-pong in between

Screening of Mady Schutzman's Dear Comrade
with research on Llano Del Rio presented 
by Craftswoman House & Hinterculture
Thursday, November 7, 7pm
Greene Gallery
2654 La Cienega Ave, 
Los Angeles, California 90034


Written and directed by CalArts faculty member Mady Schutzman, Dear Comrade is an experimental essay film that documents the story of Llano del Rio (1914-18), the most important non-religious communitarian experiment in western American history. Llano is offered as a site to explore the struggles, courage, frustrations, fantasies, and Sisyphean efforts of innumerable idealists who have assumed comparable struggles in spite of tremendous odds. The story is told through archival footage, surreal re-enactments, interviews with ex-colonists, local residents and historians, and the meanderings of a silent nomad through the ruins of the Llano colony in the Mojave Desert. Through the intersection of stories, a seemingly traditional documentary morphs into a montage of parallel universes, political commentary, clownery, and a palpable desire—failings and disappointments notwithstanding—to give idealism and cooperation another try. Karyl Newman and Cindy Rehm will present their research on the colony and join the filmmaker in a question and answer segment following the screening. 


Sunday, September 22, 2013

Haunted


Mary Anna Pomonis1001 Ave 37, #1Acrylic Airbrush on Paper, 2013

Haunted
October 5-25
Opening reception:
Saturday October 5, 6-9pm

Cultural Alliance of Long Beach
Bungalow Art Center
727 Pine Avenue. Long Beach, 90813
Bungalow Art Center hours of operation:
Tuesday - Friday :: 4 - 9 pm
Saturday and Sunday :: noon - 5pm

For the month of October, Craftswoman House Temporary Residence partners with Long Beach Riot Grrrl to present an exhibition and series of events at the Cultural Alliance of Long Beach. The exhibition Haunted will open on Saturday, October 5, from 6-9pm. The opening event will include a series of performance works and a video screening. The show closes on Friday, October 25 with a LB Riot Grrrl Show from 6pm-Midnight.

Throughout history, creative works by women have often been devalued, dismissed, and even buried. While women’s contributions to art and culture have been more visible in recent years, blind spots still exist. Feminist art of the 1970s serves as a profound antecedent to contemporary art, but rich bodies of feminist work are barely acknowledged in discussions on current art practices including relational aesthetics and the prevalent use of informal and domestic materials. The artists in Haunted explore the hollows of history, to wake ghosts and channel hidden voices. These artists express a fluid exchange between the body and memory through a focus on tactile experience, manifestations of the repressed female body, and an emphasis on process as a means to capture the immaterial.

Annelie McKenzie, Design Lady (after Angelica Kauffman)oil and stickers 2013


Annelie McKenzie’s paintings reflect relationships between the female artist as subject against the art historical reference of woman as merely model or object in a work of art. She depicts pairs of women to explore the relationships between women and to insert herself into a dialogue with female artists and subjects of the past. Her highly textured surfaces spill onto decorative frames revealing a sentimental tie to the marginalized history women’s crafts and handiwork.

The Aura of Things, Mary Anna Pomonis’ new series of paintings, captures the residue of cast-off objects collected from neighborhood garage sales. Inspired by Man Ray’s ray-o-graphs, Pomonis uses the low-grade photographic technique of airbrush to render ethereal impressions left by the displaced objects. The found objects are destroyed through the painting process and are transformed into illusive, glowing images of what has been lost.

Evah Hart’s works are experiments rooted in an approach that oscillates between staged spontaneity and material obstruction. She uses various visual techniques to explore her fascination with the nature of time. Her process-based work generates random marks that reflect the cycles, history and complications of time.



Cindy Rehm, Diary of a Young Medium, (detail) collage, 2013

Mundane materials are transformed into mysterious objects, through Tina Linville’s use of basic human compulsions like collecting, arranging, and wrapping. Her dense and precarious  “Frankenstein” objects are built through a process of intimate and obsessive manipulation of salvaged objects that contain private histories. Her hybrid works blur distinctions between painting and sculpture through thoroughly layered, tactile surfaces.

Cindy Rehm’s work is inspired by Symbolist art, the sentiments of surrealism, and the legacy of women’s art and writing. She explores hysteria as a means for sexual and spiritual liberation through the unmediated expression and performative potential of the trance state. Through reflections on female madness, Rehm aims to unearth narratives that have been suppressed throughout history.




Evah Hart, Infinity Color, etching


Ali Kheradyar


The opening event will also feature a series of performance works and a video screening. Semi-Tropic Spiritualists will present, Test Site No. 4, part of an ongoing series of performance works and objects that explore the history of spiritual and occult belief in Los Angeles. Through the use of spirit bells, Semi-Tropic Spiritualists will pose questions and seek answers through an activation of unconscious voices. The performance will develop a space dedicated to investigation and a search for knowledge, and will explore ideas of faith and skepticism. Chelsea Rector will make sound blankets of love and haunted mansions and black widows and owls, through her eerie blend of vocals and synth tones. Ali Kheradyar will perform Untitled, a work about pleasure, play, and memory.
 Chelsea Rector


Semi-Tropic Spiritualists



 Nina Lassila, Piiskaa! video still, 2005


Haunted closes on Friday, October 25 with a LBRG Show from 6-Midnight with live music by GAZE, Spare parts for broken hearts, Potential Lunatics, Ingenue, Iris and Strange Radio. During the month of October, an extensive calendar of events will be presented in conjunction with the Haunted exhibit including:

Monday, October 7
6-8:30pm
LB Riot Grrrl & Food Not Bombs political prisoners letter writing (room 3)

Wednesday, October 9
4-7:30pm & 7:30-9pm
DIY Wednesday, Riotous Herbs workshop (early session room 2, later room 3)

Friday, October 11
8-10pm
Screening of !Women Art Revolution 
Followed by a discussion lead by Annelie McKenzie (room 2)

Wednesday, October 16
4-9pm
DIY Wednesday Clothing/costume swap and costume making (room 3)

Sunday, October 20
Doors at 5pm
$10
Debut screening of Riot Grrrl: self told narrative (room 2)
and a special screening of the forthcoming documentary GRRRL
with: Lucid Nation, Bonfire Madigan, Gina Young, Potential Lunatics
This event will be videoed for GRRRL, a documentary film directed by Vega Darling and Angie Young (riotgrrrlfilm,com). If you have a riot grrrl story to tell email riotgrrrlfilm@gmail.com to schedule a short interview.

Wednesday, October 23
4-9pm, Discussion starts at 6:30pm
DIY Wednesday, Circle Discussion, All Ages: An Intergenerational Dialogue on Feminism (room 3)

Friday, October 25
6pm-midnight
Haunted closes with LB Riot Grrrl show featuring: GAZE, Spare parts for broken hearts, Potential Lunatics, Ingenue, Iris and Strange Radio


Craftswoman House Temporary Residence is a project dedicated to fostering a dialogue on feminist issues through projects and exhibitions. Inspired by collective efforts such as Womanhouse, the project pays homage to the rich legacy of feminist art in Southern California. Temporary Residence partners with artists and organizations to present innovative site-specific works in found domestic and public spaces in and around Los Angeles. 

In a world where womyn are still being underrepresented, misrepresented, and where the impact of systemic patriarchy is still being ignored, LB Riot Grrrl provides a safe space and open forum for Long Beach feminists to come together to work towards growth and change.

We recognize womyn through the way we rock and the work that we do …we are womyn and we co-create the revolution!

For more information about LB Riot Grrrl: https://www.facebook.com/LbRiotGrrrl


Tina Linville, What Brought Me Here, detail, 2011